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Music Review Om Shanti Om

Om Shanti Om

Om Shanti Om

It is a truly unconventional beginning to Om Shanti Om as instead of an expected 'Beat-one-Beat-two' beginning from Vishal-Shekhar, one gets to hear a rather serene 'Aankhon Mein Teri' which turns out to be an extremely soulful hear. On hearing it initially, it is the sheer 'different' factor due to which it takes some time to follow the composition. But once you have heard it closely with lights switched off and no interference around you, 'Aankhon Mein Teri' turns out to be an irresistible piece of melody that lingers on for hours.

There are number of factors which go in making 'Aankhon Mein' a song that would be remembered for time to come. First and foremost it is the re-discovery of Vishal-Shekhar who create an unconventional tune that breaks the norms which they had themselves set for them. Furthermore, Vishal himself writes lyrics for this track which turns out to be a unique experience since it shows the sensitive romantic side of him. But the biggest of all is K.K. who showcases once again that he is THE most versatile singer who we have in the Bollywood musical scene today!

Well, those who love the dance numbers coming from Vishal-Shekhar don't have to wait for long with the arrival of 'Dard-E-Disco'. This is the very track which is much talked about for Shahrukh Khan's 'perfect-six-abs' and unlike 'Aankhon Mein' which grows immensely only after a few hearings, it is an instant hit from the GO. Reminding of the style, rhythm and the funk of 'Kaal Dhamaal' [Kaal], 'Dard E Disco' is a 'jump-on-the-dance-floor' number which has a Persian touch to it even as overall feel of the song stays on to be Western.

From the title of the song, one would have expected 'Dard-E-Disco' to belong to the 80s era with a Mithun hangover it but that's not the case as the song turns out to be pretty contemporary. Sukhwinder Singh is in his full elements for this track that has some spicy writing by Javed Akhtar saab. Marianne, Nisha and Caralisa come together for backup vocals who give the song a perfect disco feel. Later in the album arrives the 'remix version' which makes for a justified presence due to the song's theme and keeps the entertainment alive.

One would have expected the graph of the album to at maximum stay steady after 'Aankhon Mine' and 'Dard-E-Disco' but to one's pleasant surprise, it shoots up amazingly with 'Deewangi Deewangi' which hooks you on within first one minute itself. A sure shot chartbuster which could well have been the opening number for the film's promotion, 'Deewangi Deewangi' is what qualifies as a trademark number which could have been lapped up by Yash Raj Films or Dharma Productions.

Coming together of Shaan, Udit Narayan, Shreya Ghoshal, Sunidhi Chauhan and Rahul Saxena (heard in Indian Idol) ensures that there is not a single dull moment in this instant-attention-grabbing track


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