Soft and sauntering paced breathy sounds of passion cascades through the finely webbed lyrical mysticism that grows at par with ebulliently charged musical flow in “Rozana”. Big B magnanimous vocal skills exfoliate the passionately surreptitious zest for his dreamy desire through “Rozana Jiye, Rozana Mare, Teri Yaadon Mein Hum…” Vishal Bharadwaj music makes optimum usage of electronics gadgetry that gels well with the gleaming “rhythm & blues” attire of musical packaging. Munni Dhiman lyrical feast attributes profoundly with phrases like “Har din teri ankhon se Duniya ko takta hoon mein, Tu jaise rakhti thi ghar vaise hi rakhta hoon mein, Teri trah sang sang chale yaadein teri…” depicting the inhibitions of compassionate articulates of lover. It has shades from “Neela Aasman So Gaya” (SILSILA) and to some extent from his recently delivered “Kehta Hai Babul” (BABUL) for sonorous and shimmering vocal display. It adds to Big B nostalgic voiced displays that should strike chord with aesthetically packed choreographic skills to spark flames on screen.
Rage, passion, desire…it all pelts out with sweltering and iridescent vocal moves of Jiah Khan in voluptuously packed and delivered “Take Lite”. It’s a “chock-a-block” filled with fusion orchestration of Turkish, Arabic and western tuneful punches. Nubile nymphet Jiah Khan astonishes with her glistering pop singing mode that sounds ambivalent to Shakira’s sensuous hip-shaking and slender singing.Farhan-Sajid flaunts with upbeat Latino styled musical flair and spices up to make this “nymphomaniac” audio-visual treat.Amar Mohile lyrics targets pop genre than being expressive and roars up with trendy “Hinglish” lingo to match with seductiveness of the track.
