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Music Review Nehle Pe Dehlla
Nehle Pe Dehlla
Nehle Pe Dehlla is one of the rare films that has actually benefited with a delay. With its leading star cast of Sanjay Dutt and Saif Ali Khan enjoying the best period of their career and Bipasha Basu, Kim Sharma and Neha Dhupia still in the reckoning, Ajay Chandok may actually be happy to finally have a debut directorial venture to his name, even though it comes after a while.
With comedies being in vogue and film economics taking a new shape for the better, all Nehlle Pe Dehlla needs now is some aggressive and planned publicity with focus on film's comic elements. And if music by Anand Raj Anand and a number of guest composers turns out to be reasonably good then it's only more advantage for Nehlle Pe Dehlla. Well, after hearing the album, one feels that music is actually a disadvantage for the film!
Parvar Digara by K.K. and Tulsi Kumar is the first track to arrive in this album from which one expects a youthful and peppy score sans any romantic pyaar mohabbat songs due to the film's genre. In that context, Parvar Digara written by Panchhi Jalonvi is a fine beginning as Tulsi Kumar dominates the proceedings of this item number choreographed on Neha Dhupia. Guest composer Pritam who is in form at the moment gives another fine foot-tapping number. .
Surprisingly K.K. has a limited role to play in this composition as all he does is appear as a gap filler for the words Parvar Digara Haara Dil Haara that aids in creating the rhythm the song. And yes, if you hear closely, this rhythm is directly on the lines of Vishal Shekhar's 'Cham Se Wo Aa Jaaye' [Dus] ! As expected, the remix version comes a little while later. Since the song is anyways foot tapping, one doesn't quite mind hearing it again with an added zing.
Sound of a crowd roaring in the background gives an impression that Hoga Khuda Gawah is a stage number. Crooned by Zubin Garg of 'Ya Ali' fame, this Sameer number has a very basic rock tune and is saved mainly by the techno arrangements imparted to it. A club feel is given to the entire composition that more or less camouflages the singing part (mainly because it is composed by DJ Suketu). As a dance number, it doesn't have much to offer as it turns out to be quite routine and now all depends upon the way it choreographed and the star power that may just manage to pull it off.
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